ELEVEN REFLECTIONS

by Andrea Assaf

DRONE is a transmedia, ensemble theatre project integrating live music, emerging technologies, and artistic containers for public dialogue. It explores the drone as a metaphor for how we become desensitized to daily violence (domestic and global), the question of Moral Injury, and the effects of remote-control warfare on the human soul. 

DRONE is available as a two-act ensemble theatre production, or as a touring concert of “Testimonies & Music.” Community engagement residencies, masterclasses, and facilitated dialogues are available in conjunction with performances.

Eleven Reflections on the Nation

*Available NOW for touring!

Eleven Reflections on the Nation is a socially-engaged series of new performance works exploring Southwest/Central Asian and North African (SWANA), Middle Eastern/North African/South Asian (MENASA), and Muslim American experiences in the 21st century. The instigating work, Eleven Reflections on September, is a multimedia performance on Arab American identity, wars on/of terror, and “the constant, quiet rain of death / amidst beauty” in a post-9/11 world. Based on this work, Andrea Assaf co-creates and directs multidisciplinary, community-based, devised performances in cities across the United States. In each participating city, the performance will draw from the structure of the original piece, while engaging artists and communities who have been affected by post-9/11 policies to create their own content, illuminating our collective experiences since 2001. The result: A distinct but interconnected series of new performances across the country..

PREVIOUS PERFORMANCES:

DRONE — The Play

DRONE, by Joyce Award-winning playwright Andrea Assaf, tells the story of a U.S. pilot who moves to Nevada for a new job—and what that job does to him, and his family. It explores the drone as a metaphor for how we become desensitized to violence (domestic and global), the question of Moral Injury, and the effects of remote-control warfare on the human soul. Set in Las Vegas, the drone pilot’s story is juxtaposed with the poetic testimonies of three Survivors, based on the real-life testimonies of witnesses and survivors of drone strikes, written into multi-voice poetry. The Survivors seem to talk to the pilot through screens and devices, while sharing their stories with the audience.

As the pilot’s mental health becomes increasingly affected, he escapes more and more into the Las Vegas nightlife, while his wife turns to faith for support, joining a local ministry (which, unbeknownst to her, is preparing for the end of days). During an impulsive visit to the military base, she encounters a group of protestors, and a temple to the ancient Egyptian goddess, Sekhmet. As the play takes a turn toward tragedy, we meet a host of characters, including a retired Air Force General, a Sex Worker, a Preacher, and multiple Elvis impersonators.

The play is accompanied by an original music score, and an immersive media design.

PREVIOUS PERFORMANCES:

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